مولد الصوت AI Jd pardo بواسطة Fish Audio

You ever notice how in Hollywood they spend millions to make everything perfect, then make you wait three hours while they adjust a single curtain? I've spent more time staring at craft service tables than I have actually being on camera. It's just the way the business works.

Yeah, like, the food scene here is crazy different, but in a good way. The locals really put you on to these spots that you wouldn't find yourself, you know what I'm saying? It's been dope experiencing all that, for sure.

Anyway, we've got a solid team here. There's Sarah, and then we've got Mike—I think his last name is Thompson. So, it's basically the three of us plus some others helping out with the tech side of things. It's going pretty well so far.

Like, it's honestly kind of weird because I went in there with this perfect gameplan, right? I was hitting all my shots, making the right reads, doing everything we practiced, and like, somehow it just didn't work out the way we wanted.

So we get this script, right, and we're looking at what's the, what's the main thing we're trying to do here, what's the scene about. It was really intense shooting because, you know, it's all about getting that perfect moment and everything.

You know, it's been really cool to see how the fans have kind of grown with us and like, the shows are getting bigger and everything. And just being out there with the guys, playing these venues, it's kind of surreal and really special to watch it all happen.

When you listen to Eric Clapton's phrasing, it's, you know, it's really about the space between the notes. It's not just what he plays, but how he lets things breathe. The way he approaches the blues scale, it's very, very deliberate but still feels natural.

Yeah, music kind of came naturally after sports. My dad was actually the one who got me into guitar when I was younger, but I never really took it seriously until after my football career ended. It's crazy how things work out sometimes.