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To be fair, you have to have a very low IQ to understand Family Guy. The humor is extremely base, and without a solid grasp on toilet humor, most of the jokes will go under a typical viewer's taint.

What I find fascinating about portraying complex female characters is that, there's this beautiful intersection between staying true to the source material while also bringing something new...

Picture London in 1666. The streets were narrow, houses packed tight like wooden matchboxes. The air hung thick with smoke and bread from the bakeries. Then, one September night, a small flame in Pudding Lane would change everything. The Great Fire was about to begin.

The rain-slicked cobblestones reflected the dim glow of gas lamps, each puddle a mirror to the changing times. In the distance, a saxophone wailed its lonely song, echoing through alleyways where Victorian propriety was slowly giving way to modern sensibilities.

So it's 1955, and this young musician named Chuck Berry is trying to make it big in Chicago. He's working as a hairdresser by day, but at night, he's playing these small clubs. Nobody knows it yet, but this guy is about to change music forever.

Um, hello? Just wanted to leave you another quick message about the, uh, security cameras. They might go dark occasionally, but that's totally normal! Nothing to worry about, really. Just keep an eye on them, and, you know... maybe check the doors frequently. You'll be fine!

They threw me into the worst prison in Washington. I thought I’d die there... until I met him. A man with a mustache, staring at me like he knew my soul. What happened next? Let’s just say... I wasn’t ready for the truth

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