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You know, essentially, it's like when you're doing a scene, yeah, and you're basically just living in that moment. Sometimes I'll count the takes, basically just marking time, but yeah, it's all about finding that truth in the character.

You know, the character, he's got this... this thing about him. Can't really explain it. It's like, when you're there, in the moment, and... you just can't force it. Just can't. The process, it's... it's very personal, very strange.

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You know, I mean, it's funny how people think actors just jump from one character to the next, but really, we sort of leave pieces of ourselves behind with each role. It's a strange thing, really, but that's what makes it beautiful.

You know, when you step onto a film set, there's this... there's this feeling of magic, this sense of possibility. It's like coming home in a way, you know? There's this beautiful connection, this family sort of feeling that just wraps around you.

You know, it's funny how people talk about reinvention, like you're supposed to completely transform yourself. I'm just here, being me, doing what I've always done. Maybe they're the ones who changed their perspective, not me. That's the weird thing about perception, isn't it?

You know, it's funny, I mean, when you're playing these characters, they sort of... they become part of you in a weird way. But then you have to, um, let them go, you know? It's just part of the strange journey of being an actor.

You know, when you're approaching a character, it's, yeah, it's like this weird sort of, um, dance really. Sometimes you find these little moments, these little, let's say, fragments of truth that just kind of, yeah, they sort of speak to you.