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You know, when you're developing a character, it's not just about the lines, it's about finding those layers. Sometimes you read the script and, well, you see something deeper there, something that's not obvious at first. That's what makes it interesting.

You know, when approaching a character, I really look at the layers, the complexity. It's not just about the surface emotion, it's about finding those moments where you can bring something unexpected, something that maybe wasn't even in the script initially.

I remember sitting there at the premiere of my first directed film, I mean, you're so vulnerable in that moment, right? Looking back now, twenty years later, I think about how that experience shaped me, not just as a director but as a person who understands storytelling differently.

I remember sitting there at the premiere of my first directed film, you know, and my daughter was maybe four at the time, and I was thinking about how everything changes, how we evolve as artists, as mothers. It's this incredible journey of understanding yourself through different lenses.

What I've learned through directing is that every frame, every moment we capture, is really about finding truth in human connection. It's about taking all these scattered pieces of ourselves and weaving them into something that resonates with others, something that speaks beyond words.

I remember sitting there at the premiere, you know, watching my first directed film, and I mean, it was such a different feeling being on the other side of the camera. Like, after all these years as an actor, suddenly you're seeing everything from this whole new perspective and...

You know, when approaching a complex character, I really look at the layers. Initially, the script might suggest one thing, but then you dig deeper and find these fascinating contradictions. That's what makes it interesting, finding those subtle nuances that weren't obvious at first.

You know, when I first read the script, I thought the character was going to be more, like, straightforward. But then working through it, I found these layers, these complexities that really changed how I approached the emotional scenes.