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You know, when we were setting up that shot, I wanted the camera to move really naturally, like, not too steady but not too shaky, and we used this 35mm lens because, you know, it gives you that intimate feeling when you're following the character through the space.

They don't want the truth, they just want the trend. They play it safe and they play it small and they play it safe again. But I'm looking at the stars, I'm looking at the legacy, I'm looking at what we leave behind for the kids.

I mean, like, watching Novak in Australia, it's crazy how he handles pressure, you know? Even when he's down in the match, he's so calm, and I'm trying to learn from that because, like, when I'm playing important points, I need to stay focused too.

You know, watching them perform with such confidence, it's like, it really made me think about my own fears and stuff. I mean, seeing how they just go for it, that's something that's really helping me grow and face my own challenges.

So I went out to find some snacks because I was starving, but everything here is like so different from back home. I'm trying to be adventurous with the menu, but it's just so hard when I can't even pronounce half of the items correctly, you know?

And you know, I've been checking out this new area down by the valley. Had to get there early, make sure everything was safe and figured out. It's kind of interesting because the path isn't what you'd expect, but I'll guide you through it.

Yeah, I mean, it's kind of like Seattle in a way, where you've got the city itself, but then you can drive maybe thirty minutes and you're basically in these amazing natural areas, which is pretty cool.

You know, when I'm performing, it's like... different feelings come up. Sometimes I feel really comfortable with the music part, but then... speaking to the audience, that's... that's something I'm still working on, if that makes sense.