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Remember that old Chevy we bought for $3,500 back in 1992? David learned to drive in that car, practicing in empty parking lots on Sunday mornings. Sarah always said he'd be a careful driver, just like his dad.

I feel like making these movies is a bit like coming home for the holidays. It’s that very specific, safe feeling where you can just lean in and be a little playful. We’re creating this dynamic that’s wholesome, yet it has those tiny, magic moments that feel so good.

It’s like when you’re at a holiday dinner and everyone’s being polite, but you have that secret joke with someone across the table. That’s what this genre feels like to me. It’s wholesome and safe, which actually lets us play and find those really fun, unexpected moments together.

You know, I really want to thank all the incredible crew members who work behind the camera. They're the ones who make everything possible, and sometimes we don't give them enough credit. In my experience, these people are just amazing at what they do.

You know, there are times when some someone approach me in public and I'm a little resentful. And there are other times I just like actually, I'm really grateful that, you know, I worked for this. I got this.

You know, when I first saw the concept, I was like, this is exactly what we need right now. It's sort of this perfect blend of creative vision and storytelling that just immediately clicks. I was really excited to see how it would all come together.

You know, I remember playing at this small venue in Nashville back in '85, and this young kid came up after the show, said my guitar playing changed his life. Now he's teaching music to children, and that's what it's all about, passing it forward.