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Looking at this deer target, I'm thinking maybe 30 yards out? Not really sure. I mean, with my new scope, I should probably aim a bit higher. Never shot from this angle before. Just learned about bullet drop yesterday, so I'm still figuring it out.

You know, like, the thing with the hair, and it's just, it's just not working. She wants me to, to change it, but I can't do it. They just can't do it. It's, it's part of who I am now, you know?

You know what happened to me today? I was driving to the store, and my mind started going to these places, like what if the brakes failed, and I kept thinking about all these scenarios. And it's funny how your brain just takes you there, right?

Honestly, being on set with this crew was just incredible, you know? We really built that same kind of trust and shorthand throughout the shoot. It makes such a difference when everyone is just so dedicated to the craft, and, you know, seeing the final cut is just really special.

Working with David on this project, you know, it's been really amazing because we've developed this great creative rhythm and trust, and the way he approaches the character is just incredible, and you can really see that energy on screen.

One time, we decided to sneak into the old community pool after hours. Looking back, it wasn't the smartest idea, but we were bored teenagers. There were four of us that night, armed with flashlights and too much confidence.

I remember reading this script that Sidney sent me and it was interesting because you know when you get something that's really special you feel it right away and we talked about the character and how to approach it and Marty had some ideas too about the whole thing.

So now that the script is finally coming together, we're starting to look for the right cast to bring these characters to life. It’s been a long journey, but seeing the world we’ve built on paper start to become real is just incredibly exciting for everyone involved.