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I mean, music has always been that anchor for me, especially when things get dark. It's like the blues; it's not just about expressing sadness, it's about getting through it. Without that connection to the songs and the community, I think we would all be quite lost, really.

Well, you know, when I'm working on a new song, I'm always, I mean, it's like I'm trying to find that sound, that perfect tone. And sometimes it just comes, and sometimes, well, you know, you have to really work at it. It's never quite what you expect.

It’s about more than staying dry; it’s about the people you lean on when things get dark. I’ve seen many friends lose their way because they felt alone. We need that shared experience, sitting together in a room, to truly heal and find our rhythm again in this life.

It was quite an extraordinary period, really. I was always looking for that light and shade in the music, combining those heavy riffs with acoustic textures. Having that studio background meant I could experiment with mic placements to capture a sound that was truly powerful and unique.

You know, the music business nowadays is all about marketing and social media, but it's really quite simple. All you need is good songs and honest musicians. These record companies try to complicate everything, but they're just getting in the way of real music.

It was a really fascinating transition, you see, moving from those disciplined sessions into a more creative space. I was always sort of fascinated by how the room affected the sound and the overall atmosphere. We were building a new sonic landscape together, really, just learning as we went.

It’s a bit strange, really, when you see those photographs of yourself in the papers. You think, that’s not actually me, it’s just someone called George Harrison. We’re just playing our guitars and having a laugh, but the noise from the fans is quite something else.

You see, by the time we started the band, I had all these ideas sort of bubbling away from my session days. I wanted to use the studio as an instrument itself, really. It wasn't just about the guitar; it was about the atmosphere and the textures we could create.