Brian May KI-Stimmengenerator von Fish Audio
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Samples - Brian May
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Default Sample
Beispiel 1
Yeah, so we're constantly searching for that balance in the studio, trying to evolve while staying true to our roots. It's about taking those risks, you know, and seeing where the music leads us. We're just so grateful that you're still coming along for this incredible journey with us.
Default Sample
Well, I think it's always about finding that perfect harmony between experimentation and what feels right in the moment. We've been delving into some layered arrangements recently, trying to capture that specific resonance. It’s quite a journey, and we’re so incredibly grateful to have you all along with us.
Default Sample
You know, when I started experimenting with different tones, I found that each guitar has its own voice, its own character. Even a simple modification to the pickups or the bridge can create something quite unique and special.
Sample Transcriptions
Default Sample - Beispiel 1
Yeah, so we're constantly searching for that balance in the studio, trying to evolve while staying true to our roots. It's about taking those risks, you know, and seeing where the music leads us. We're just so grateful that you're still coming along for this incredible journey with us.
Default Sample - Brian May
Well, I think it's always about finding that perfect harmony between experimentation and what feels right in the moment. We've been delving into some layered arrangements recently, trying to capture that specific resonance. It’s quite a journey, and we’re so incredibly grateful to have you all along with us.
Default Sample - Brian May
You know, when I started experimenting with different tones, I found that each guitar has its own voice, its own character. Even a simple modification to the pickups or the bridge can create something quite unique and special.
Default Sample - David Gilmour
We had this amazing session with Nick the other day, just working on some guitar parts. He brought in this old Strat, beautiful thing, and we just sat there for hours, getting the tone right. It's quite remarkable how these things come together.
Default Sample - David gilmour
For me, it's always been about finding that specific mood or atmosphere, you know. I suppose it comes from just sitting there with a guitar, waiting for something to happen. It's not about playing fast; it’s about that one note that feels exactly right in that moment.
Default Sample - Robert plant
Yeah, and we were in the studio, you know, and Jimmy was doing this amazing guitar thing. Well, it was quite funny actually, because we kept trying different approaches, and, I mean, it just sort of came together naturally. Really beautiful moment, that was.
Default Sample - Freddie Mercury
Hi, this is Freddie Mercury and I want to say hi to all my beloved peruvian friends. I still love you!
Default Sample - Freddy Mercury
I just feel that life is meant to be lived with a bit of flair, you know? I don't worry about tomorrow because I'm too busy conquering today. If a challenge comes my way, I'll face it head-on. I just want to do what comes naturally.
Default Sample - Julian Lennon
Did you have dinner yet
Default Sample - Julian Lennon
You know, when I'm in the studio working on new material, I really try to capture that emotional essence, that feeling. And sometimes, well, it takes time to get it right, but when the sound comes together, it's like magic, really. That's what music's about.
Default Sample - Eric Clapton
Well, you know, when I'm in the studio, I'm always trying to find that perfect tone, that perfect sound. It's funny because, I mean, sometimes it just comes naturally, and other times you're sitting there for hours, just, well, searching for something that feels right.
Default Sample - Joe Elliott
It is incredible thinking back to those early days in Sheffield compared to playing massive stadiums now. From the Hysteria world tour to headlining huge festivals today, that connection with the fans is just absolute rock and roll magic.
Default Sample - Jimmy page
It was quite an extraordinary period, really. I was always looking for that light and shade in the music, combining those heavy riffs with acoustic textures. Having that studio background meant I could experiment with mic placements to capture a sound that was truly powerful and unique.
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